Site 2: Crossing Paths with Performance
@ 190 Hunter Street (north side, west of municipal parking lot)
Artspace gallery location and City Stage, 1977-83
Shown in this photograph is the black and dark brown Belleghem Building located on Hunter St. in Peterborough, Ontario. It is decorated with a number of windows of different shapes along with two entrances to different businesses. The top of the building is decorated with a circular pattern and a pointed middle section that has the title of the building on it. Having been host to many businesses and people over the years (currently the restaurants La Hacienda and Sam’s Deli) it was once an Artspace location. The entrance to the gallery was down the alley to the immediate left.
Shown in this second photograph are the units behind the Belleghem Building (currently Jason Wilkins Factory) that would have been the ground floor entrance to City Stage (and later, The Union Theatre). Above the entrance is a wooden staircase leading up to a doorway with a red awning overtop, that was once the second entrance into MultiCab at the Artspace gallery.
Scroll down to read a story about the site written by Peg Town in the summer of 2024.
It is well documented that Artspace was located here in the Belleghem Building from 1977 to 1983. Artspace moved from its first location at 440 Water Street and into the 2-story unit at the back of this building after doing renovations to create a larger gallery that would accommodate more multidisciplinary works including performance.
The space on the ground floor was eventually renovated into a theatre and performance space known as City Stage.
When my path first led me to this building, it was to see a performance, yet Artspace had already moved into its third and largest location to date, the old Market Hall at 336 George Street. I first came here to see solo musicians perform when it was the Aloha Cafe, conveniently located across the street from 2 other great music venues, the famous Red Dog Tavern and The Underdog.
In my experience, Hunter Street has always been a well-worn path to live music and theatre. Throughout most of the 1990s, the old City Stage space was home to The Union Theatre with its collective of artists and enthusiastic audiences. I attended quite a few shows here, and found that The Union was also a great place to meet and socialize with creative people. Some of those people are my friends to this day! One of those people is Martha Cockshutt. We met here at The Union during the Theatre Trent production of The Yellow Wallpaper. Martha was designing the costumes and set, while I had the minor role backstage working at the lighting board.
For Crossing Paths, I wanted to learn more about Martha Cockshutt’s earliest connection to Artspace, before she became an accomplished and esteemed costume designer. Knowing she has a sharp eye for architectural detail, I asked her to describe the physical layout of Artspace and City Stage at 190 Hunter Street. I was curious about how Martha first became involved with the artist-run centre as well as its significance in her artistic development. One afternoon in June 2024, with Martha’s consent and help from Laurel Paluck, we recorded her answers which she embellished with many details and anecdotes, with the intention to eventually add her story to the Artspace archives.
Scroll down to see the MultiCab poster from August 1980 made by Martha Cockshutt, and to read excerpts from our conversation in June 2024.
The image shown here is a photograph and digital scan of MultiCab Presents Peterboro After Dark - a poster that was designed, handwritten and illustrated by Martha Cockshutt in August 1980.
The title is written at the top in white script on black background. Pink palm trees, stars, and moons decorate the background as well. The bottom half shows a calendar of the events, artists and performances scheduled at Artspace throughout August [1980].
Excerpts from Martha Cockshutt’s story about some of her experiences at Artspace, 1980-82:
“So, this whole time, I’m really getting into designing posters.”…
“A lot of these people were kind of on a circuit. There was a lot of performance and dance happening within the context of ANNPAC [Association of National Non-Profit Artists Centres, founded in 1976] because there was nowhere else for contemporary dance and performance; it just didn’t have a space.”
In response to my question about the people at Artspace who influenced her own artistic development, Martha Cockshutt said: “[In] my experience… Dennis [Tourbin] and David [Bierk] were number one. No-one was more important than those two. What was the secret? They just said Yes! They would always encourage you to take on the next challenge, like ‘Of course you can do that!’. Definitely game changing.”
“I always thought of myself as a visual arts person, but theatre became my line in.”
Reflective Question
Who has influenced your own artistic development?
Site 1: Crossing Paths with History
Site 2: Crossing Paths with Performance
Site 3: Crossing Paths with Community
Site 4: Crossing Paths with Nogojiwanong
Site 5: Crossing Paths with Gardeners
Site 6: Crossing Paths with Collaboration
Site 7: Crossing Paths with Diversity
Site 8: Crossing Paths with Climate Change
Site 9: Crossing Paths with Infrastructure
Site 10: Crossing Paths with Today and Tomorrow