Anahi Gonzales’ artistic practice and research explore migration, Mexican labour for/within Canada, Canadian imperialism, and identity with questions relating to commerce, systems of power and the event of photography through installation, photography, and moving images.

Ininige examines the work of five contemporary women artists each of whom carry knowledge, memory and skills developed across time and through their art practice. They may be carrying skills learned at a young age, holding the vestige of a love of textiles and patterning from childhood; skills acquired in an academic or group setting; or skills that carry forward from life experience.